I had an amazing opportunity to meet architect, artist, designer Eddie Sykes. Correction, this was the third time I have met him. Crazy thing, when we first moved to Los Angeles in 2005, we visited the studios of Eddie Sykes and were totally blown away by his work. At the time, he was building a large scale, translucent facade for a hotel in New York. Five years passed and I found myself at his studio for other tangential reasons, this was meeting #3. Eddie met us outside, we both looked at each other, and it was like deja vu from our encounter years earlier.
As we were talking casually, Eddie’s sculptures were dangerously hung in his Frogtown studio. His work very delicate, industrial, raw, refined, luxury, rudimentary… a balance of opposites is very present in his work. Especially the Yakuza Lou–a kinetic sculpture, but also a working chandelier. Each one meticulously handcrafted, requiring up to 4 months to complete a single piece.
The Yakuza Lou chandelier came as a more affordable and production friendly solution to the large scale Yakuza Lou sculpture exhibited at M&A in Silverlake in 2009. That piece was an outdoor sculpture that opened and closed revealing metal and greenery triggered by motion sensor placed in the outdoor gallery. This was meeting #2 with Eddie… well, not Eddie himself but his work.
Re-encounters like this are special. I love how Los Angeles can do that. Even though sprawling, Los Angeles is intimate enough that one can rediscover a person, place, or feeling spontaneously.